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Untitled , nd
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Blooming Flowers, n.d.
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Untitled, n.d.
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Untitled, n.d.
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Untitled, n.d.
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Untitled, n.d.
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Untitled, n.d.
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Untitled, n.d.
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Untitled (1 of 2) , n.d.
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Untitled (Koala) , n.d.
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Bass Clef, 2024
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Bursting Veins, 2024
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Cells 1 of 2 , 2024
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Circle on Hexagon, 2024
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Confused, 2024
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Confused, 2024
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Confused, 2024
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Craziness, 2024
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Digital Mind Art, 2024
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Lady on horse in Desert, 2024
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Monoprint, 2024
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Monoprint, 2024
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Monoprint, 2024
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Phantom, 2024
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Shaded Bass Clef, 2024
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Shapes, 2024
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Tikiman , 2024
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Triangle Through Triangle, 2024
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Untitled , 2024
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Untitled, 2024
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Untitled, 2024
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Untitled, 2024
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Untitled, 2024
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Acrobat, 2023
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Beachball, 2023
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Beautiful Butterfly, 2023
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Beautiful Sunset, 2023
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Bird on Water, 2023
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Cabo San Lucas , 2023
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Child's Play, 2023
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Chirping Birds, 2023
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Cyclopes, 2023
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Dancing Flower, 2023
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Dancing Penguin Under Rayleigh Sky, 2023
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Dandelions on Beautiful Summer Day, 2023
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Desert Marching Lady, 2023
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Dragon Lady, 2023
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Flowing Lava, 2023
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Glob Man, 2023
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Hill Stripe Mountain, 2023
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Incomplete Puzzle, 2023
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Marching Lady, 2023
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Miseltoe, 2023
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Nightmare Before Christmas, 2023
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Pluse , 2023
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Ray of Sun, 2023
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Sally Nightmare Before Christmas, 2023
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Scream, 2023
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Sea Turtle vs. Shark, 2023
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See Through Diamond, 2023
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Shape Through Shape, 2023
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Shapes (Upside Down), 2023
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Snowflake, 2023
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Spider on Blooming Flower, 2023
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Spinner, 2023
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Untitled , 2023
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Untitled, 2023
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Untitled , 2023
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Untitled, 2023
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Untitled , 2023
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Untitled, 2023
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Untitled , 2023
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Mixed Shapes, 2022
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Sand Times, 2022
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Upside Down Flag, 2022
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Lady Sitting in a Chair, 2021
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Sprouting Flower, 2021
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Untitled, 2021
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Untitled , 2021
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Grand Canyon, 2020
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Untitled, 2020
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Untitled, 2020
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Birds Over Water, 2019
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Lone Wolf on the Hunt, 2019
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The Divided Triangle, 2019
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British Flag, 2024
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Born and raised in Chicago, Alysha Kostelny currently lives on the Northwest Side. Kostelny’s approach to art-making is driven by experimentation, curiosity, and an exploration of various surfaces, textures, and applications of paint. She enjoys researching modern and contemporary artists, gleaning inspiration from myriad concepts and processes. Kostelny has a natural inclination toward hard-edge abstraction, though her work often straddles both abstraction and representation. Drawn to simplified organic forms and geometric shapes, she translates source imagery (often referencing art history, architecture, or the natural world) through reductive, bold color fields.
“Painting is something that resembles you, it’s something you’ve seen or like.. I get inspiration from other artists. I’m inspired by Richard Diebenkorn and like learning about other abstract painters.”